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Michael Sittig
Photography
I began taking pictures at fourteen. In 1965 I was drafted into the army and sent to Europe after basic training. It was there that I began learning the craft of black and white photography and printmaking. After my discharge, I immediately made a darkroom at home. I also took extension classes in the art of photography at the University of California at San Diego. I received encouragement from my instructors and fellow students and showed my work at The San Diego Fine Arts Gallery and The La Jolla Museum for Contemporary Art.
1980 brought about a series of life changing events; I purchased a book by a doctor/photographer, Eliot Porter, and I went to work for Eastman Kodak Co. as an engineer. Eliot Porters' book inspired me to see in color and Kodak made color printing available to me. I was part of a rapidly developing technology enabling me to take pictures in the conventional way and recapture the images from film electronically and import them into my new darkroom, Photoshop .
After working for Kodak for twenty years with a team of very smart people, developing cutting edge technology in digital imaging, our little fifty million dollar a year division was sold to a holding company! I could see the writing on the wall and began making plans for retirement. Where else could I go but to Fort Bragg!
After reviewing the images I have been taking over the past thirty plus years I have detected a reoccurring theme. The relative chaos in nature that I love. I have concentrated on presenting examples of this with the framed images I'm showing here. When we look at nature in a pristine undisturbed environment it is perfect. When we look at it through the lens of a camera it's a different thing. I'm fascinated by the challenge of creating order out of chaos within the viewfinder of my camera using composition and its elements in harmony with highlights and shadows. Below are some examples of my work.
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